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This set is easiest set to spot the stark differences in; here the Low setting is a smudged mess with the background textures blotched out for the sake of performance. Medium does a decent job setting a standard, but High really shines with the sunset timed to highlight the reflection quality, the volumetric fog and the overall crispness here.
Unfortunately, the Ultra shot could not be timed as well, but it does offer the chance to really see what the distant textures should look like, with images so sharp they feel like they’re going to pop out at you. Seeing the world on Ultra during dawn and dusk is a graphical privilege with few contenders.
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