On top of that, the combat mechanics have been completely revamped along with the way skills are implemented. Players can use and upgrade the skills of every playable character, learn new ones, fine tune passive abilities, and create the ultimate parties. Magic (used when weapons are sheathed) adds an extra level of strategy that grants distance but also requires time and resource management since each spell takes a different amount of time to cast depending on its potency. You can attack at any time without the need to lure enemies or wait until they notice you which was a serious annoyance in Hollow Fragment. Just dive in and wreck as you please and if things get a bit too rough then quickly take to the skies and get yourself out of there. Use your party members to your advantage, buying yourself openings and setting up vicious Switch Attacks, or scatter to decimate a horde separately. There are many more options that are bolstered by the verticality of the islands you’ll visit.

Lost Song is the first Sword Art Online game that lets you play as all of the major characters as well, and it’s a pleasant surprise that they feel like more than just re-skins of the same avatar. Each one has their own skills, weapon preference, and perks, making the experience feel brand new depending on who you’re using. Kirito is a monster when it comes to close range combat thanks to his stellar swordsmanship, but Sinon’s proficiency with a bow makes her a devastating sniper. It’s a nice touch that helps to mix up the combat which, like in many ARPGs, can become a bit repetitive.

There’s also the option to create your very own character. Choose a race, weapon preference, look, skill set, and more in order to tackle the world. You won’t appear in cutscenes, unfortunately, but it’s fun to fly alongside your favorite characters and take on everything Svart Alfheim has to offer, especially those huge bosses. Or you can tag along with some of your real friends’ own created characters in multiplayer. The inclusion of others makes for some interesting battles since you’ll have more accurate call-outs of threats and can further refine your strategies.

Cameras are often an issue with games that offer a few range of view and combat, but it becomes especially troubling when paired with a somewhat wonky targeting system. To target an enemy, you have to hold down the L1 button until it locks, but it will only lock on the closest enemy to you. Then, to switch targets, you must use the right stick but it never really makes much sense as it chooses between the dozens of enemies on screen in no discernible order. When you finally do lock onto the right enemy, the camera is incredibly slow in keeping up with them, often times keeping the one enemy you desperately need to see off-screen. This becomes a serious issue when battling some of Lost Song’s bigger bosses since they have larger move-sets and longer ranges.

Yet, even with its wonky camera and story that sometimes alienates newcomers, Sword Art Online: Lost Song is a solid game. The repetition is countered by the variety of playable characters and interesting dynamic brought on by flight, and the central story is simple yet easy to get into. Everyone wants to be the first to overcome a challenge, and to be able to do so with your closest friends is an experience worth partaking in. There is plenty of fan-service for those returning, and the combat is genuinely fun and engaging. If you’re a fan of Sword Art Online at all then you owe it to yourself to check this one out, and if you’re just looking for an interesting ARPG to pass the time then Lost Song is definitely a worthy option.

SCORE: 4/5